First Day of Class

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Q&A: Spirit Quest

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My friend Badger (who is also a museum professional as well as a fencer) has asked me to write something about the experience of looking at devotional art in museums. In her words: "One of my favorite museum provocateurs has made a list of things that museums, unfortunately, seem to feel they cannot do, to wit, be: sexy, funny, subjective, wrong. As we have talked about this list with others, one addition has been 'explicitly religious.' With rare exceptions, even 'religious' museums (e.g. museums of Judaica) tend to be about the history of objects, or facts about ritual. Rarely do they engage in any emotional content regarding faith, or worship. "Museums contain some of the most compelling religious artistic and ritual objects ever created. Whether it is Russian icons, reliquaries, or illuminated devotional manuscripts, they often display works whose primary meaning was originally about faith. But they seem profoundly uncomfortable presenting the material...
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“Hail, Mary, full of grace, punch the devil in the face!”

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Once upon a time, there was a man named Theophilus who made a bargain with the devil. Thank God that Our Lady was able to help him! Do you want to know the full story? Listen here ! * The Prayer of Theophilus O miserable wretch that I am, what have I done and what have I wrought?...  Where shall I, unhappy sinner, go, who have denied my Christ and his holy mother ( Christum meum et sanctam eius genitricem ) and have made myself a servant of the devil ( seruum diaboli ) through a chirograph of wicked warrant ( per nefande cautionis chirographum )?  Who, do you think, will be able to pull it away from the hand of the devil, the destroyer, and help me?  Why was it necessary for me to become acquainted with that wicked Hebrew who should be burned?  (For this same Hebrew had been condemned a little while before by law and judge.) Why indeed? For thus are they honored, who forsaking God and the Lord, run to the devil....  Woe ...
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Draco Layer Four: The Anagogic or Mystical Sense

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Here be dragons. And doves. Human beings long for transcendence. Such longing is, for the world, always out of fashion because, of course, it is not a longing for the world, and the world knows it. We know what the world wants. The world—by which we mean Satan, the Lord of the World—wants above all our obedience, a jewel so precious that he will do anything to get it: lie, steal, murder, bear false witness, pretend to social standing, pretend to insider knowledge to get us to consent to his influence.  “God lied to you. You will not die.” And suddenly we are anxious about having other people dislike us, about losing prestige in our social circles, about other people being more popular or influential or successful, about other people having secret knowledge, about our own influence and fame. “You shall be as gods, knowing good and evil.” And with that temptation, our first parents fell. The irony is cosmic. There they were in the Garden, privy to conversation with God face-to-face, ...
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Talking Points: Three Cheers for White Men

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1. When white women (see Marie de France and Eleanor of Aquitaine) invented chivalry and courtly love , white men agreed that it was better for knights to spend their time protecting women rather than raping them, and even agreed to write songs for them rather than expecting them to want to have sex with them without being forced. 2. When white men who were celibate (see the canon lawyers and theologians of the twelfth century and thereafter) argued that marriage was a sacrament valid only if both the man and the woman consented , white men exerted themselves to become good husbands rather than expecting women to live as their slaves. 3. When white women (see Christine de Pizan, Mary Wollstonecraft, and the suffragettes) invented feminism , white men supported them (see John Stuart Mill) and even went so far as to vote (because only men could vote at the time) to let them vote, not to mention hiring them as workers and supporting their education. And before you start telling me a...
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