In the Pines
I had a(nother) breakthrough this week thinking about what it means to practice playing my fiddle. Let me see if I can describe it for you. You see, I suddenly figured out how to get inside the music. Does that make any sense? There I was, trying to get the last turn of phrase in Old Joe Clark down, playing it over and over again, and still tripping up the same place every time, and it occurred to me that I needed to break it down even further. Not C#-B-A-G-A-A, but just the transition from A-G, that is what I needed to practice. I could do it fairly cleanly if I was doing a downstroke on the A, followed by an upstroke on the G, but if I hit the A on the upstroke, I invariably fumbled the G on the downstroke. I'm just doing saw strokes in this piece, which means I am not able to keep the same bowing pattern from repetition to repetition (unlike for In the Pines , in which we learned a bowing pattern that maintains the same strokes from repetition to repetition), so I nee