Draco Layer Four: The Anagogic or Mystical Sense
Here be dragons. And doves. Human beings long for transcendence. Such longing is, for the world, always out of fashion because, of course, it is not a longing for the world, and the world knows it. We know what the world wants. The world—by which we mean Satan, the Lord of the World—wants above all our obedience, a jewel so precious that he will do anything to get it: lie, steal, murder, bear false witness, pretend to social standing, pretend to insider knowledge to get us to consent to his influence. “God lied to you. You will not die.” And suddenly we are anxious about having other people dislike us, about losing prestige in our social circles, about other people being more popular or influential or successful, about other people having secret knowledge, about our own influence and fame. “You shall be as gods, knowing good and evil.” And with that temptation, our first parents fell. The irony is cosmic. There they were in the Garden, privy to conversation with God face-to-face, ...
Frighteningly, I think sometimes it works *just that way*...
ReplyDeleteNice, but is the polemic really inevitable? I can't help but think of the difference between A. G. Dickens, Euan Cameron, and Eamon Duffy, on the one hand, and Diarmaid MacCulloch on the other. The former are engaged in the polemic (on different sides), while MacCulloch, I think, is beyond it. But then, his position as a gay, ex-Anglican, agnostic is unusual and, as he admits, contributes to his historiographical position. (Well, to be precise, it's the ex-Anglican and agnostic aspects that he admits as influences.)
ReplyDelete@Brian: Perhaps we don't always perceive it as polemic, but surely writing as a ex-anything suggests a particular interpretative position. I've tried to articulate a bit more clearly what's bothering me in today's post. Maybe it's that I don't buy anybody else's position but can't yet articulate mine.
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