Signs & Things*
Last week it was jet lag. Today, well, let’s call it semiotic overload. Consider the following manuscript folio. Imagine that you are in the British Library Manuscripts Reading Room and you have only one day to work with the manuscript—Arundel 157, if you would like the shelfmark--in which this folio (146recto) appears (click on the image if you would like to see it enlarged). Pretend, for the moment, that you can read the language (Latin) and script (an early thirteenth-century Gothic bookhand from England, probably around Oxford) in which it is written and that you are familiar with the conventions of abbreviation that the scribe has used. You cannot take photographs of the manuscript (this is, after all, the British Library; they will be very happy to make a limited number of photographs for you—at a price) and you do not know whether a microfilm is available. Assume, for the moment, that it is not; in any case, even if it were, it would not be in color. What would you inclu
Beautiful. My old philosophy professor would have called it a visual cacophony. It's also very similar to the view from the window of my son's dorm room (at Broadview).
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